EWVA European Women's Video Art

Madelon HOOYKAAS & Elsa STANSFIELD

Key Works

 

Split Seconds (1979)

10m 37s

1/2" EIAJ

 

This video is a single channel version of a video installation. It shows two monitors, one large and a smaller portable one to the front, both of these displaying the same video feed, in which a log is being chopped. Both monitors are wedged in some soil to recreate the angle at which the action was shot by the camera (30°). The installation was accompanied by a series of photographs, which analysed the videotape. The smaller monitor partially obscures the larger one, but at the same time reveals the entire scene. Different symmetry and shift effects are produced, creating a sort of reversed mise-en-abyme, evoking the effect of video feedback.

The disposition of the monitors also creates a visual effect like the axe in the large monitor is hitting the small monitor. This suggests a critique to broadcast television.

The act of cutting wood also references the renown Jan Dibbets’ piece, 'TV as a fireplace' (1969).

The installation evokes and conveys in various ways the concept of splitting: the material chopping of the wood, the ‘split second’ where the image briefly freezes before and after each strike that our eye is not able to perceive and the splitting of the image in the monitors. Our perception and the notion of the ‘video eye’ to capture reality is questioned and analysed.

Running Time (1979)

6m 8s

1/2" EIAJ

 

The title of this piece, 'Running Time', refers to its duration. A figure running in landscape from infinity towards and past the camera is foreshadowed by a repeating image of himself. The soundtrack, treated similarly to the image, is made from recycling loops of a heartbeat. Both image and sound progress from the unidentifiable to the recognizable. In close relation to other works from this period, the central focus is on the pattern of lines that function as the basic building blocks of the video image, structuring visual representation in a significant way. (li-ma.nl)

Video Void (1980)

21m 27s

1/2" EIAJ

 

The duration of this video was determined by the length of the time it takes to walk under the river Thames by the Rotherhithe tunnel, recorded as a soundtrack. 'Video Void' was the third piece Hooykaas / Stansfield made taking the river Thames as a point of departure. 'Tidal Flow' and 'Transitions' were the two others. This time the emphasis was on the absence of natural elements. The themes of air/respiration/duration are used as constant references within the work. Halfway the video, the huge extractor fans at each end of the tunnel are slowed down, while the soundtrack keeps the same rhythm. (li-ma.nl)

 

 

 

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