EWVA European Women's Video Art

Marie-Jo LAFONTAINE

Key Works

 

Les larmes d'acier (1986)

Video Installation

 

The monumental, video sculpture 'Les larmes d'acier' (Tears of Steel) consists of 27 monitors, 6 laser discs, and 6 laser-disc players, installed in a piece of black box architecture. Seen running in perfect synch on all the monitors are various images of athletic young men in the act of training their muscles. With their pronounced physiognomy and builds, they embody the type of muscle man considered a clone. The camera pans slowly over their faces, and unabashedly documents the conquering spirit taken to the limit in this struggle with one’s own body. The gym equipment emphasizes the character of the martyrdom that each man has chosen to bear—man and machine become one. With carefully chosen motifs, Marie-Jo Lafontaine continues the exploration of contradictions in Western culture, which stretches throughout her entire work as the dual portrait of Eros and Thanatos, violence and passion, power and pain, beauty and terror. The images are accompanied by Bellini’s «Casta Diva» sung by Maria Callas, which also endows the artwork with a highly charged presence and urgency.

(mediakunstnetz.de)

Victoria (1988)

Video Installation

 

The installation “Victoria” consists of 19 large columns set with monitors playing videos and arranged in a spiral formation. The videos show two men in a dramatic dance in which they advance and retreat, dancing and combat appear intertwined. “The men dance on the thin line between love and war. If we keep fighting, it can degenerate, but if we keep loving it can also end in violence. Humans are capable of both extremes.” (Oscar van den Boogaard).

(lempertz.com)

 

 

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